I’ve been to lots of concerts over the years — large and small — and I’ve had lots of favorite musicians. A brief list, in mostly chronological order:
- Paula Abdul (Jr. High)
- REM (High School)
- Nirvana (Late High School)
College was mostly whatever was on WHFS out of Baltimore, MD (Cowboy Mouth, Violent Femmes, Jimmy’s Chicken Shack, Eve 6, Fastball, Fuel) — Seriously, this radio station was *always* on for my four college years.
After arriving in California, I found out about Girls With Pianos and Boys With Guitars. These quickly rose to my favorite artists list:
- Regina Spektor
- The Mountain Goats
- Fiona Apple
- Sia
Of these latter, I’ve loved them all in varying amounts, and seen Regina and The Mountain Goats in concert twice each.
But then there’s Eef Barzelay. I think I’ve written about him several times before this, or if not, I’ve meant to. I first found Eef on January 31, 2006 over at the wonderful music blog 3hive. The first time I listened to his song, Ballad of Bitter Honey, I fell in love with the way the song turned from being funny (the first acoustic lyrics to the song are “That was my ass you saw bouncin’/Next to Ludacris”) to rather poignant in a verse.
I bought that album, and listened to it at every available opportunity for the next several months. When I went back to Portland a couple years ago, I tracked down most of the cds from his first band, Clem Snide, at a used record store. And I bought the newest album, Lose Big, the day it came out.
I’ve been to two Eef concerts, one electrified, and the other acoustic: him, guitar, and a stage. The two shows were the perfect complement to each other. There’s something in the way he takes it all so seriously and not-seriously, his movements so jerky and his lyrics so smart, that just engulfs my attention.
Today, I found a new song on his MySpace called The Open Road, and he explains writing it:
please check out “the open road”. It’s a Walt Whitman poem I turned into a song as an audio accompaniment to NY photographer Peter Kayfas’ soon to be released book of road trip photos entitled, appropriately enough, “the Open Road”.
So, go pull up the song here: Myspace.com/eefbarzelay. Here’s the poem…and parts of it just knocked my insides around:
Song of the Open Road
Walt Whitman
Afoot and light-hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.
Henceforth I ask not good-fortune, I am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Strong and content I travel the open road.
The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to them.
(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them with me wherever I go,
I swear it is impossible for me to get rid of them,
I am fill’d with them, and I will fill them in return.)
I’d never heard this poem, and maybe it’s just the emotional state in which I find myself on this gray, cloudy, California day, but this rocked me.
This line:
Henceforth I ask not good-fortune, I am good-fortune
In particular, the way that Eef strums right as he says the last syllable in the second ‘fortune’ and the vocals fade slightly, punches me in the self-sufficient guts. I need not ask for good-fortune, for I make it. I am it.
And this line:
Henceforth I whimper no more, postpone no more, need nothing
And this line
The earth, that is sufficient
With his voice cracking on ’sufficient,’ raises the hair on my neck while putting a lump in my throat; it’s this perfect counter to the personal sufficiency of being my own good-fortune.
This is a gorgeous, gorgeous song.
And it’s why Eef is my absolute favorite.